Wonka review – sweet like chocolate
December 6, 2023Starring Timothée Chalamet, Paul King's Roald Dahl remake is a whimsical festive treat
Starring Timothée Chalamet, Paul King's Roald Dahl remake is a whimsical festive treat
Brazilian auteur Kleber Mendonça Filho offers a sleepy memoir around his home and the cinematic history of Recife.
We reflect on an unusual, but exciting edition of the Arab world's biggest film festival.
The British director sits down with A Rabbit's Foot to discuss her beguiling new feature Saltburn, a film about the perils of class and desire. "The question I wanted to pose was: How do you get what you want out of something that will never want you back?"
At Marrakech Film Festival, the auteur talks about her commitment to reviving her hometown of Nara, as well as 'Johatsu,' a cultural phenomenon where people disappear without a trace.
We highlight a few of the Moroccan gems from the 20th Marrakech Film Festival.
How To Have Sex, Scrapper, and All of Us Strangers lead BIFA 2023 nominations, in a particularly fantastic year for British Independent film.
Bradley Cooper's second feature is a heartbreaking portrait of the love between composer Leonard Bernstein and Felicia Montealegre.
Yorgos Lanthimos' latest is a hilariously savage takedown of patriarchal double standards and gender norms that revels in the romp.
A Rabbit's Foot Editor-in-chief Charles Finch sends his thoughts on Bradley Cooper's Venice hit.
Michael Mann's Enzo Ferrari biopic is an impressive portrait of one of Italy's greatest sons.
Chris Cotonou reviews Sofia Coppola's latest, on the life and times of Priscilla Presley.
On paper, The Killer has the makings of another David Fincher classic, but unfortunately falls short of its fantastic premise.
Wes Anderson's second Roald Dahl adaptation proves once again that his style really is inimitable.
Here are a few of the films that we've been anticipating at this year's Biennale.
Festival season is upon us, and the awards race has truly begun.
Despite the strikes raging through Hollywood, the Venice Film Festival is back with a confident lineup.
Christopher Nolan's epic portrait of the creator of the atomic bomb has finally exploded into cinemas.
The Weekend's in, Barbie and Oppenheimer are finally out. The question remains: in the Barbenheimer war, whose side are you on?
Filmmaker Nathalie Ryan embraces heartbreak in this passionate essay on Michel Gondry's 2004 opus.
Haaniyah Angus pens an appreciation for Theodore Witcher's 1997 cult-classic romance.
Guest writer Ros Tibbs explores the cinema of Gregg Araki, a pioneer of the Queer New Wave.
On her would-be 73rd Birthday, we do a deep dive on the artistry and immortality of Chantal Akerman.
Cinephile and veteran film critic Jason Solomons talks about the one true love of his life: movies.
Filmmaker Ethan Coen talks new film Drive-Away Dykes and writes a personal ode to sex (and sex, and sex) on the movie screen.
Capping off an eclectic selection at the film festival this year.
It's the star-studded movie of this festival—and Anderson's latest, most mature, venture has a lot to love.
A gem from Italy's most exciting contemporary filmmaker.
The anticipated new feature from Todd Haynes mysteriously keeps its characters at a distance...
Jonathan Glazer's Holocaust drama is an audio-visual masterpiece that lays bare the pitch black soul of humanity.
Harrison Ford's titular hero is back.
Andy Hazel gives a first-look review at the Cannes '23 opening film 'Jeanne Du Barry'
We explore the sexual surrealism in the films of iconic auteur Luis Buñuel.
The iconic director Mike Nichols gets an up close and personal essay on his life both on and off the screen.
We return to Claude Lelouch’s seminal 1966 classic—observing its portrayal of romance and impact on French culture.
Luke Georgiades offers a different perspective of love in Jean-Luc Godard's A bout de souffle.
We dissect cinema's troubled history with vulnerable female characters—and looks to a brighter solution.
Peter Bradshaw looks into the rise, fall and untimely death of the 1920's silent film heartthrob Rudolph Valentino.
We unpack the story behind Nags Oshima's erotic arthouse masterpiece, and the gruesome murder it was inspired by.
The tragic romance of the two of the most graceful lovers to ever be immortalised in Hollywood's silver screen...
Writer Luke Georgiades unties the art of the erotic movie poster.
Stretching over a hundred years, we present the very best of British romance films.
Alex Clark dives deep on Apichatpong Weerasethakul's spiritual rumination on love and transformation: Tropical Malady.
Hannah Ghorashi reviews Ari Aster's polarising new feature...
Ben Affleck and Matt Damon reunite to tell the story of Nike's partnership with Michael Jordan, but they can't quite land the shot.
Everything Everywhere All At Once made history last night as the Academy celebrated a year of fantastic filmmaking.
We pick our favourites to win at this year's Academy Awards!
A Rabbit's Foot brought a masterclass to the Royal Institute for a two-day celebration of film.
The luxury fashion house celebrated the latest entry in their 'Women's Tales' short film series with a day of screenings and conversation.
Take a glimpse into the glamorous event that ushers in the exciting third act of awards season.
Visually arresting (or simply unique), Skinamarink is a promising horror that's more style over substance.
As Malcolm X celebrates its thirtieth anniversary, we reflect on Lee’s powerful career as a filmmaker affecting black representation.
With Top Gun: Maverick breaking box-office records in 2022, ARF explores the star power of Tom Cruise, Hollywood's last bonafide movie star.
Although somewhat predictable, M3gan's GenZ take on the horror trope is sure to delight old and new fans.
Charlotte Wells' debut is a quietly moving act of imaginative empathy.
Inspired by her own experience seeing arranged marriages in Pakistan, Jemima Khan's screenplay has a lot to love—especially for those curious about life beyond Tinder.
Nan Goldin is the subject of Laura Patrois' powerful documentary on the photographer's incredible life.
Graphic designer and Creative Director Jonas Zieher explains the nuanced art and science of the movie poster.
Sam Murphy explores the enigma of the Oscar-winning William Holden: an iconic, yet reclusive, actor little known for his conservation work in Africa.
Filmmaker Mark Cousins analyses how fascist propaganda gripped Italian cinema
A best-selling Churchill biographer explains how the British prime-minister always made time to appreciate movies.
Damien Chazelle's cinematic masterclass is the best blockbuster of the year to barely make any money at all.
Luke Georgiades reviews Korean maestro Park Chan-wook's highly anticipated latest, a visual odyssey of paranoid sensuality...
Writer and founder of the Kino Film Club Sabrina Raven explores Sarah Polley's old-school yet defiant "Women Talking"
Brendan Fraser's much touted comeback has seen standing ovations in Cannes - but how does the movie hold up?
Our Rome correspondent Alain Elkann reminisces on Fellini’s Rome and his encounters with the director…including in his sleep.
The Guardian's chief film critic Peter Bradshaw pens his thoughts on the great director Vittorio De Sica
La Dolce Vita is Fellini’s masterpiece, and perhaps the most famous Italian film of all time. In his essay, Jonathan Romney looks at the movie’s prestige over time, as well as the addictively glamorous world it depicts.
Giuseppe Tornatore’s Cinema Paradiso is one of the great love letters to cinema. Here, our online editor Luke Georgiades shares a love letter to Tornatore’s film.
Gretchen Heffernan gives us her personal perspective on Sergio Leone's classic 'Dollars Trilogy'
Director Ali Abbasi captures Iran's 'Serial Killer Society' in this gripping take on true-crime events.
Jason Diamond explores absurdity in the films of Sergio Leone...
The twenty-four films vying for the Golden Lion this year – and the ten we think are the ones to watch
Chris Marker’s La Jetée is a masterclass in the evocation of memory, argues Luke Georgiades.
Peregrine Kitchener-Fellowes explores Louis Malle's Damage, the controversial film from the director of Goodbye, Children and Elevator to the Gallows.
Writer Julien Planté brings his perspective on Jacques Audiard's Paris, 13th District
Writer Natasha A. Fraser looks at the history of Clouzot’s Le Corbeau, and how the accusatory letters would transcend into French public life.
John Cameron Mitchell's boundary-pushing sex-comedy remains a refreshing ode to fluidity.
Luchino Visconti was full of paradoxes. Here, Peregrine Kitchener-Fellowes investigates the man behind The Leopard.
For the 19th edition of the Marrakech film festival, discover this year's line up, the best in show and much more.
British film director Damian Harris explores the influence of Claire’s Knee on his life and work.
An icon for not only cinema but social causes, Jane Fonda has never backed down from a fight.
Offering his unique insight, Matthew Modine shares an essay on his memories of working with Kubrick, Paths of Glory, and Full Metal Jacket.
Ennio Morricone made some of the most memorable scores in film history, but his relationship to his art could be complicated, writes Jason Solomons.
The CEO and founder of intellectual streaming service MUBI shares how he projected his love for cinema into our living rooms.
Virginie Mouzat looks into the under-appreciated magic of Francois Dorleac.
Offering his unique insight, Matthew Modine shares an essay on his memories of working with Kubrick, Paths of Glory, and Full Metal Jacket.
Journalist Alison Boshoff explores the dark enigma of Paul Gegauff, the lesser-known archetype for some of French cinema’s most troubled characters.
Actor Matthew Modine discusses the lesson in the horrors of colonisation, and a gripping realisation of what happens when the people fight back.
Allegra Handelsman writes of love in Guiseppe Tornatore's iconic Cinema Paradiso...
A pandemic project, Ralph Fiennes challenged himself to commit T.S. Eliot’s Four Quartets to memory.
Director and writer Mark Cousins opens up on the ways that Pier Paolo Pasolini changed his life, in this emotional, deeply personal essay.
The writer-director waxes on conceiving the Soho Film Club, a formative experience dating a cinephile, and Pedro Almodovar...
McDonagh's deeply existential film delights with lyrically Irish comedy.
Tilda Swinton is luminous in Joanna Hogg’s dizzying country house ghost story
A travelogue through the south of France, the summertime muse of Cinema Francais.
Godfrey Daniel's takes us on a tour of 'firsts' through French Cinema History
Filmmaker Cosima Spender reflects on the uniquely bohemian childhood and Tuscan home that shaped her creative endeavours.
Writer Natasha A. Fraser explores how Sophia Loren won over Hollywood.
Reeling from a hangover, guest-writer Allegra Handelsman uncovers the politics of sci-fi godfather Fritz Lang's legendary 1927 'Metropolis'
The past is forever, but the future of cinema and the arts remains one of optimism and fantasy. As the world changes — as unexplored subjects are brought closer to the lens — filmmakers, actors, and creatives in France are emerging with perspectives that have the power to change their society. This is their manifesto. Their J’Accuse; a call to arms, a rousing spark for their beloved metiers.
The young artists of Italian Cinema offer us their personal manifestos...
The author Ilaria Bernardini forged a close bond with the director Bernardo Bertolucci before he passed away. She recounts their friendship and professional relationship in this poignant essay.
The verdict's in: Welcome To The Jungle is still The Rock's best movie.
A Rabbit's Foot interviews the documentary makers of The Square - and look at the troubled Egyptian history they became embroiled in.
The writer-director reflects on his life-long love for the French New Wave master.
King’s College professor and film academic Ginette Vincendeau on the life and times of Jean Renoir.
Director Edward Berger talks making his Best Picture nominated anti-war masterpiece.
Molly Manning-Walker's impressive debut How To Have Sex quickly becomes a dark lesson on the fine line between consent and sexual assault.
The Guardian’s film critic explores how Easy Rider became the movie of the sixties counterculture.
Ennio Morricone made some of the most memorable scores in film history, but his relationship to his art could be complicated, writes Jason Solomons.
The story of how Glenda Jackson went from a lauded actress, to an influential politician...and back again.
The latest in Miu Miu's Woman's Tales series is available to stream now.