What Daria D’Antonio Sees
The first woman to win the Globe D’Oro for Best Cinematography, Daria D’Antonio shares a selection of her own photographs as well as her beliefs on the importance of images.
Art & Photography
Corto Maltese and Venice, The Talisman of Dreams
Marco Steiner writes a journal-entry style love letter to Hugo Pratt’s Venice, told through the adventures of Corto Maltese
Toni Servillo on the Teatro
The great Sorrentino collaborator takes a deep dive into his love for the theatre…
The Many Faces of Francesco Vezzoli
ARF resident Luke Georgiades talks glamour, queer cinema, and evil prophecies with eclectic artist Francesco Vezzoli
The Mystic: Francesco Clemente
The spiritual artist Francesco Clemente talks art, cinema, and happiness with ARF Editor-in-chief Charles Finch.
Una Donna del Sud: Alba Clemente
Iconic theatre star, costume designer and artist Alba Clemente answers some questions from ARF’s Chris Cotonou
Director’s Style
Since the advent of cinema, great directors have cultivated their personal style off-screen as well as through their movies. Here, we explore the sartorial triumphs of the filmmakers…
My Side of Paradise: Jonathan Becker at Cannes
Legendary photographer Jonathan Becker reflects on the paradise that is the South of France.
Notes from the Assoulines
Prosper and Martine Assouline are behind the first luxury brand on Culture, publishing some of the most coveted tomes in the world. Here, they share some of their memories of cinema – from masterful cinematographers to the colourful charm of posters.
Cocteau on The Testament of Orpheus
These essays first appeared in Two Screenplays: The Blood of A Poet and The Testament of Orpheus (1985). Reprinted by permission of Marion Boyars Publishers, New York, London.
