
What we learned at Marrakech Film Festival 2023
We reflect on an unusual, but exciting edition of the Arab world's biggest film festival.

This photobook recalls the psychedelic world of Candy, Andy and the Bearandas
From Thunderbirds creator Gerry Anderson, Candy and Andy was a short-lived comic book combining quintessential Englishness with 1960s experimentation

Naomi Kawase’s next film is about “human evaporation”
At Marrakech Film Festival, the auteur talks about her commitment to reviving her hometown of Nara, as well as 'Johatsu,' a cultural phenomenon where people disappear without a trace.
Emerald Fennell is sitting in a corner of the Dorchester Hotel’s Chang bar. It is dimly lit red-velvet Bright Young Things; and I suspect this is where many secrets were once shared before they made their way into London high-society (you know, in the good old days.) She greets me in a rouge-coloured dress and matching lipstick, sporting a new blunt blonde bob. It is modelled after Natasja Kinski’s character in Wim Wenders’ Paris, Texas she tells me and that she took her hairdresser a still from the film as inspiration. Now that she mentions it, Emerald looks a lot like Kinski. At least, she does while sitting here at the glamorous Chang Bar.
Why are we here, then? Emerald’s third film Saltburn has just been screened at London Film Festival, and to rapturous praise. It tells the story of a young and clever Scouse upstart who, when joining the Oxford University, befriends a handsome and charming member of the British aristocracy, and falls crazily in love with his world…with murderous consequences. If it sounds a bit Talented Mr—rah-rah—Ripley then yes (and those comparisons have already been made) but Saltburn is its own monster: more twisted, more stylish, and is gorgeously directed; from the libraries and pubs of Oxford to the large houses with their Caligulan parties filled with excessive drinking, sex, and vomit. Oh—and there are scenes where Jacob Elordi and Barry Keoghan frolic naked in large country fields (you might have heard about those.) Here, Emerald Fennell discusses Saltburn, which is the latest entry in a long tradition of great British genre stories set in large houses, with beautiful people, and the looming shadow of traumatising desire.

Molly Manning Walker: A New Direction
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Benoît Delhomme: “I paint with the damage cinema inflicted on me”
The great cinematographer discusses his incredible career and his longstanding love for painting.
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